Previous Page. Next Page. Page 2: Manuale Dell'utente Manuale dell'Utente Page 3: Program Features The main sound parameters can be edited directly from the front panel. Equipped with 39 knobs, 47 buttons, 16 multi-function keys, a value knob and an informative backlit LCD screen, RADIAS makes it easy to modify the sound as you perform, and to enjoy a versatile range of realtime editing possibilities.
Page 5: Timbre Features Velocity and note based parameters provide even more detailed and dynamic articulation. In addition to playing the drum kit from the keyboard, one of the step sequencers or the arpeggiator can be assigned to play the drum kit, al- lowing you to create grooves and rhythmic figures within a Program.
In order to install the board correctly, please pay attention. Be careful of static electricity, which may damage compo-. Before beginning. Perform the installation according to the steps given in the. When installing or removing the board, be careful not to drop. Handle the board with care. Subjecting it to physical shock by. Be careful not to touch any exposed metal portions of the. This equipment has been tested and found to comply with the. These limits are designed to provide reasonable protection.
However, there is no guarantee that interference will not occur in a. Service info, block diagrams, specifications, circuit diagrams, parts list, trouble shooting tips, and much more The shipping charge will be refunded to you. Please alow 24 hours to receive this manual. Korg Service Manual for the EM Please allow 24 hours Service info, block diagrams, specifications, circuit diagrams, parts list, trouble shooting tips, and much more is included on the disk..
Service Manual. Nonetheless, Programs built from these samples are bright and dynamic, and I wouldn't hesitate to use them. You mean Mellotrons, mate, and mine is not a nightmare, it's a thing of beauty, so you're making no friends here. Furthermore, these PCMs are too clean and too in tune to convince aficionados that they're listening to the real thing. Of the Programs based on the string samples, only 'Krimson Strings' sounds even vaguely like a genuine Mellotron, although it's stereo, sustains indefinitely if you hold it, and has added chorus!
Likewise, the Mellotron flute patches are not what you would call authentic, but it's still nice to have them. Korg have never been my favourite purveyor of sampled pianos, but this one is a massive step forward, with four velocity zones and the addition of samples emulating the resonance of an acoustic piano when the sustain pedal is depressed.
The result is excellent, with beautifully defined tone, body resonance as good as anything I've heard, and velocity zones less obvious than equivalents on many other workstations. Bravo, Korg! But where were they? I knew I'd loaded them but I couldn't access them. Then I realised that despite being able to hold all three libraries in its system memory, the instrument can't use them unless they're copied into sample RAM.
The standard M3 Xpanded or not has just 64MB of RAM and can only access one library at a time, so although data compression means that each library can fit into 64MB, loading one leaves almost no room for your own samples or audio. I discovered that a whole bunch of Programs in User Bank 'E' took advantage of these, and was impressed. Scores no pun intended of instruments such as trumpets, piccolos, flugelhorns and clarinets, many with trills, growls and slides, are not going to appeal to everybody, but for soundtrack composers, incidental music composers and arrangers, they'll be extremely handy.
Indeed, I suspect that classically trained orchestrators could make these sound almost indistinguishable from the real thing. This is a remarkable success story, and anyone au fait with the M1's sequencer can use the M3's, which I suppose is a good thing. Conversely, it hasn't advanced as much as you might expect in two decades, which is not.
However, the company had decided not to reinvent the wheel meaning Digital Performer, Cubase, Sonar, and so on and on reflection I agreed that writing something approaching the complexity of these would be unviable. The most significant of these are the Piano Roll and Track View screens.
Just select a note with your finger or a stylus and adjust its start position, end point, pitch, velocity, or any other MIDI attribute, simply by sliding it around on screen.
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